Artists

ReverbNation Electronic Press Kit

Earl Hazell Headshot-001

“As the Speaker, Earl Hazell sang with dark tonal colors that rang true.”
Opera Today, review of the Phoenix Opera production of Die Zauberflöte

“Earl Hazell sang the Commissioner with a stentorian voice.”
Opera Today, review of the Phoenix Opera production of La Traviata

 

Earl Hazell, Basso Cantante, native New Yorker and Renaissance man is a performing and creative artist developing a multi-faceted career through the embrace of opera, literature and modern jazz on the world stage.

A graduate of the La Guardia High School of the Arts at Lincoln Center, the Aaron Copland School of Music at Queens College and former student of Everett McCorvey at the University of Kentucky Opera Theatre, Earl has performed with the New York Philharmonic numerous times, including their landmark performances of the Britten War Requiem under Kurt Masur in the Cathedral of St. John the Divine; the Beethoven Ninth Symphony under Zuben Mehta in the United Nations; and the nationally televised Beethoven Choral Fantasy with pianist Alfred Brendel in the One Hundredth Anniversary of Carnegie Hall, conducted by James Levine of the Metropolitan Opera.

By way of the mentorship of Conductor Dr. John L. Motley (former accompanist to African-American Spirituals composer Hall Johnson and Music Director of the New York All-City High School Chorus), Earl was a member of the legendary Max Roach Ensemble for their performances in Jazz at Lincoln Center and the Umbria Jazz Festival in Perugia, Italy, while independently studying jazz composition with icons Jimmy Heath, saxophonist (author of I Walked With Giants) and trumpeter Donald Byrd.

A recurring featured soloist throughout the United States and Spain with the American Spiritual Ensemble  founded by Dr. Everett McCorvey, he has also worked with Opera Ebony of New York on several productions.  These include the critically acclaimed Gounod’s Faust and the internationally televised production Jessye Norman Sings for the Healing of AIDS with Jessye Norman, Max Roach, authors Maya Angelou & Toni Morrison, choreographer Bill T. Jones, actresses Anna Deveare Smith & host Whoopi Goldberg, and special guest Elton John; directed by George C. Wolfe.

As a member of the Moses Hogan Singers, he had the pleasure of working personally with the composer for Give Me Jesus: the CD of his signature Spirituals arrangements for his ensemble and the celebrated soprano Barbara Hendricks, produced and recorded by EMI.

As an operatic Basso Cantante, Earl has performed with San Francisco Opera, Lyric Opera of Chicago, Tulsa Opera, Arizona Opera , Utah Festival Opera, Townsend Opera of California and Phoenix Opera; performing and covering roles such as Colline of Puccini’s La Boheme; Crown of the Gershwins’ Porgy and BessZuniga of Bizet’s Carmen; Ferrando of Verdi’s Il Trovatore; Joe of Jerome Kern’s Showboat; Booker T. Washington of Flaherty & Ahrens’ Ragtime; Sarastro and The Speaker of Mozart’s Die Zauberflöte; Ramfis and Amonasro of Verdi’s Aida.

It is through his treasured relationship with the quintessentially American opera Porgy and Bess, however, that Earl has become a citizen of the world. Soon after performing in the ensemble of the historic Götz Friedrich production in the Theatre Des Westens, Berlin, he has to date performed the character roles of Jake, Jim, the Undertaker, Robbins, Nelson and Lawyer Frazier throughout the continental United States and Hawaii; Western, Central and Eastern Europe; The United Kingdom; Australia and New Zealand; Canada and the Caribbean.   This includes the Hamburgische Staatsoper; Teatro Regio di Parma; Lyric Theatre of Sydney; the Centro de Belem of Lisbon; Teatro Comunale, Bologna; Royal Albert Hall, London; Palacio de Bellas Artes, Mexico City;The Badminton Theatre, Athens; The Semperoper, Dresden; Mikhailovsky Theatre, St. Petersburg; The Festspielhaus of Baden-Baden; Opera-Théâtre d’Avignon; The Teatro dell’ Opera of Rome; and other houses throughout Spain, Germany, Italy, France, Belgium, Denmark, Holland, Russia, Poland, Switzerland, England, Ireland, Scotland and Wales.

As a writer, Earl is the author of the original screenplay PANDORA JONES and the soon to be published works of poetry BLUES FOR THE BLUES; NAIMA; and THEY IS OUR WOMEN NOW: A CELEBRATION OF THE WOMEN OF THE GERSHWINS’ PORGY AND BESS.

Earl debuted with Tulsa Opera as The Speaker in their 2008 production of Die Zauberflöte; with Lyric Opera of Chicago as Nelson in Porgy and Bess in December, 2008; with San Francisco Opera as Jim in Porgy and Bess in June, 2009 (nationally televised on PBS); and with Phoenix Opera as Zuniga in their November, 2009 production of Carmen.   As a featured soloist with the Southern Arizona Symphony Orchestra, he alternately performed the roles of Cascada and Kromov in their April, 2010 production of The Merry Widow in Tucson, before returning in June to perform the role of Leporello in a concert presentation of Don Giovanni.  His Arizona Opera debut was in the cameo role Il Contadino in their October 2011 production of Pagliacci.

Earl proudly returned to Phoenix Opera in the 2010/2011 season as Sarastro for their touring production of Die Zauberflöte in November; the Speaker for their mainstage Die Zauberflöte production in the Phoenix Orpheum Theatre in December; and his critically acclaimed work  in the cameo role of Il Commissario in their March 2011 production of La Traviata.  He also returned to Arizona Opera as the Old Gypsy of Verdi’s Il Trovatore and Bishop Dyer in the original opera workshop of composer Craig Bohmler’s Riders of the Purple Sage in their 2012/2013 season;  to San Francisco Opera for their 2014 production of Show Boat–with Director and Conductor Francesca Zambello & John de Main, singers Patricia Racette & Morris Robinson, actors Bill Irwin & Harriet Harris, and his wife, Alexis Davis Hazell; and to Lyric Opera of Chicago as Jim for their Fall, 2014 production of the Gershwins’ Porgy and Bess. Earl will embark on his third production with Lyric Opera of Chicago when he joins the cast of Verdi’s Nabucco in their 15/16 season.

Earl Hazell is the Founder, Executive and Artistic Director of Jazzoperetry® , Inc.: the American company which will produce his sixteen-piece jazz, vocal and poetry ensemble OUR WOMEN NOW, and currently produces the flagship recital series Earl and Alexis: AMERICAN SONGS.

Earl and Alexis live in Tempe, AZ.

 

 

Davis Hazell

“[Alexis] Davis’ death scene in Act One was remarkable for its truthfulness. Davis infused every sung phrase with fear and trembling at the imagined sight of her end.”  

Ken La Fave, Arizona Republic Regarding Alexis Davis as Mme. De Croissy in Poulenc’s Dialogues of the Carmelites

“[Alexis] has proven to be a respected colleague, beautiful artist, and an excellent musician.  Her natural instrument is rare, and its continued cultivation will serve the future of our craft well.  I believe she has the capacity to make a significant contribution to our industry…”  

Ryan Taylor,  General Director Arizona Opera

Dramatic Mezzo-soprano, Teaching Artist, and Philadelphia native Alexis Davis Hazell is emerging as an active performer on the international opera stage. Her interpretations of Madame Flora (Menotti’s The Medium), Arsamene (Handel’s Xerxes), and Mme. De Croissy (Poulenc’s Dialogues of the Carmelites) have earned her accolades for the size and quality of her instrument, the lyrical musicality of her technique, and the dramatic intensity she brings to the development of character.

Alexis completed her baccalaureate training in Vocal Performance at Temple University in Philadelphia and graduate work in Vocal Pedagogy and Vocal Performance at Arizona State University. Her doctoral research was geared toward developing curricula for Russian Art song repertoire studies tailored to young singers, based on an innovative application of the principles of clinical phonetics. Her vision is to bring about a new appreciation of the early 19th century Russian art song traditions in America.

The stage, however, continues to be the primary focus of Alexis’ emerging career.  After appearing as La Zia in the Arizona Opera production of Puccini’s Madama Butterfly, she performed in the Utah Festival Opera productions of Verdi’s Il Trovatore and the Gershwins’ Porgy and Bess.  She appeared in Phoenix Opera’s inaugural production of La Boheme as well as Arizona Opera’s La Traviata.

Internationally, Alexis worked with the Living Arts, Inc. European tour of Porgy and Bess throughout Russia, Poland, Greece, Latvia and Estonia. These critically acclaimed performances were in collaboration with the Mikhailovsky Opera in St. Petersburg, the Moscow Philharmonic, and the Polish National Opera of Warsaw in June, leading to her debut in the principal role Maria at the Kuressaare Operadays Festival in Estonia.

Her success with Living Arts, Inc. led to another European tour of Porgy and Bess with the New York Harlem Theatre, in Germany and Switzerland. Under the leadership of Maestros William Barkhymer, Richard Cordova and Kelly Kuo, she performed every role for her voice type—the featured role Strawberry Woman at Theatre 11 in Zurich, the comprimario role Lily at the Hamburg State Opera, and the principal role of Maria at the Festspielhaus of Baden-Baden.

Her relationship with the Gershwins’ masterpiece continued with three notable debuts: San Francisco Opera (the John de Main/Francesca Zambello production), the Dresden SemperOper, and the Deutsch Oper am Rhein in Dusseldorf.

Alexis’ work regionally has included, the Mother in a production of Amahl and the Night Visitors in Paradise Valley; the cover to Amneris in the Phoenix Opera Aida; mezzo soloist in the Rossini Stabat Mater at Valley Presbyterian Church; and the cover to Viktoria Vizin for the title role in Phoenix Opera’s production of Carmen.

In addition to a busy concert schedule, recent regional appearances for Alexis include La Badessa in Suor Angelica  with the Southern Arizona Symphony; Dritte Dame in the Phoenix Opera production of Die Zauberflöte and Annina in the Phoenix Opera production of La Traviata. She has taken on several large role understudy assignments for Arizona Opera, including the cover to Lori Phillips as Santuzza in Cavalleria Rusticana; the cover to Daveda Karanas as Amneris in Aida, and the cover to Mary Phillips as Azucena in Il Trovatore.  In fall 2014, Alexis appeared in the role of Giovanna in Arizona Opera’s production of Rigoletto. Alexis can also be seen in the cinematic release of San Francisco Opera’s Show Boat, which will become available on DVD/Blu-ray in June 2015.

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Earl Hazell Bio 200wds         Alexis Davis Hazell Bio 200wds

Earl Hazell Bio 100wds         Alexis Davis Hazell Bio 100wds

Earl Hazell Bio 75wds           Alexis Davis Hazell Bio 75wds

 

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Earl Hazell

Alexis Davis Hazell

 

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Alexis Davis Hazell Mezzosoprano 8x10 Warm

Earl Wellington Hazell Basso Cantante 8x10 Zoom